Reflection 182: Intelligence

February 18, 2010

(Copyright © 2010)

I was born asking questions. That’s the kind of person I am. Still damp from the womb, I looked around and asked, “Where am I?” Then, looking at the doctor, “Who are you?” Then at my mother, “What’s for supper?” Much later, I remember riding in the back of a pickup truck from Seattle to Nespelum, Washington, asking the archaeology grad student next to me one question after another the whole way. I exhausted him well before I knew as much as I wanted to about the dig we were heading for. Inquisitive to the point of annoyment, that’s me. Is annoyment a word? Annoyance, that’s what I mean.

Asking questions is somehow related to intelligence. My American Heritage Dictionary says intelligence is “The capacity to acquire and apply knowledge,” but that’s not what I mean. I’m not talking about a mental capacity, or knowledge in general. More, as the CIA uses the word to refer to that which is known about one thing or another. But I don’t mean mere scraps of data—I mean getting the big picture: intelligence on a nontrivial scale referring to the interrelatedness of things in a particular system. In other words, building an aesthetic model in my mind of a system outside my body. Intelligence, for me, is a process of gathering experiences about relationships—how things fit and act with one another—into a coherent picture in the mind. Excuse me, in my mind. That’s the only mind I have access to or can talk knowingly about, or expand by asking further questions.

Intelligence tests claim to measure a human capacity—as if learning is independent of interest, curiosity, subject matter, or personal experience. That usage suggests a person is equally intelligent regarding anything that can be known, that intelligence is some kind of virtue or trait, which I don’t think is true. There’s no such thing as an intelligent person; there are only people who know a lot about a small number of things in relation to one another—and little about everything else. An evening spent playing Trivial Pursuit should tell us that much, at least. I’ll give you an example from my personal experience.

I’ve been studying Taunton Bay, an estuary in Maine, for a number of years. I would have said I was checking it from an inquiring point of view because it interested me, but in hindsight I see I was paying attention to it every chance I got, so I guess I really was studying it, expanding my experience of the bay holistically without reference to “information” or “data.” That way, I slowly built up an understanding of some of the workings of the bay in my head, which collectively added to “intelligence” about the bay as a  biological system. This is related to this is connected to this is tied-in with this is balanced with this. Building to a broad, qualitative under-standing of what is going on in one place in Maine. That’s what I mean by intelligence. I didn’t learn about other bays because each one is different and I wasn’t—my body wasn’t—there. And I didn’t learn about bays in general because my acquaintance was up-close and personal. Let me illustrate my wordy illustration of aesthetic intelligence by showing a picture suggesting the relationships between blue mussels and eight other aspects of Taunton Bay.


That’s a picture of a small portion of my aesthetic—of my coherent intelligence about the bay. Blue mussels are connected to sea stars (which eat them), to eelgrass (which shares their habitats), to Canada geese (which eat eelgrass), to diving ducks (such as common goldeneyes which eat mussels), to eagles (which eat goldeneyes), to marine worms (which eat food particles that mussels discard), to hunters (who shoot mussel-eating ducks), to horseshoe crabs (which mussels often attach themselves to), and to human (who harvest mussels by diving, dragging, or hand-raking). They are also connected to me because I take pictures of them in relation to other features of Taunton Bay.

That’s a snapshot of what I mean by big-picture intelligence. Getting things together in my mind to reveal their relationships and interactions. In a very real sense, that is a portrait of one corner of my conscious mind. Which is the real topic of this blog: getting my mind together about consciousness. Since reading books by Gerald M. Edelman about human con-sciousness, wrestling with his theoretical ideas, my under-standing of my own conscious processes has made a quantum leap to the next higher level. After slogging through one post after another, Edelman helped tie things together for me—at least as I interpret his writings. So today I want to write about my experience of consciousness as a whole, not just this aspect or that.

My big learning up to now is that understanding is a matter of developing an aesthetic sense of how things go together in relationship. That’s actually what the word consciousness means. Con- refers to a collective joining-together, sciousness (as in science) refers to splitting things apart into particles or elements—that is, discernment of relationships, which is commonly called knowledge. Taking splintered parts together in relationship produces consciousness—the “withness” of all aspects of mind. In this case, the withness of the different sensory arrays spread throughout the sensory brain, which Gerald M. Edelman and other neuroscientists refer to as “maps.” The parts of the brain devoted to vision contain some thirty or forty such maps, each tracking two-dimensional relationships in one aspect of visual perception—movement, color, location, direction, texture, and so on. Consciousness, then, consists of mapping events in the brain in ever-changing relationship to one another, creating an overall sense of the dynamics of the current situation.

Think of the George Gibson Quartet—guitar, organ, saxophone, percussion—in aesthetic relation to one another, or a cut by the Henry Threadgill Sextet in the 1970s. Or the Boston Symphony Orchestra playing Berlioz’ Symphony Fantastique. Or the Boston Red Sox when they get their act together and each player gives his all in exquisite relationship to the others. Or all the parts of Picasso’s Guernica telling the story of the Nazi bombing of a small town in the Pyrenees during the Spanish Civil War. Which is not unlike Albert Einstein spending his last days in search of a unified theory of everything that would tell the story of the universe. Many scientists, mathematicians, and theologians engage in similar quests having spiritual overtones in relating the individual mind to the larger whole as they picture it. On a more mundane level, aesthetic coherence is what a chef strives for in balancing the flavors, textures, color, and nutrients in his soup of the day. Or me in my peapod rowing across Taunton Bay at low tide, trying to fit everything I see into a coherent appreciation of what’s going on at that time in that place.

The point of the exercise being, then, to act appropriately in the situation we are engaged with as we discern its different parts and assemble them in consciousness as a coherent life event. If we can do that, then we derive a survival advantage from understanding what’s going on around us compared to others acting out of a less nuanced understanding. It’s always an aesthetic judgment call based on how we see aspects of the situation fitting together into a coherent unity—or not, as in the 2000 presidential election, the Haitian earthquake, or the global instability of greenhouse gases in the atmosphere.

Regarding consciousness, what are the parts I am talking about? Sensory perception as annotated by memory of concepts and prior experiences. Attention, salience, and expectancy reflecting personal or biological values, motives, and interests. A sense of oneself, with feelings, hopes, fears, anxieties, pains, pleasures, and ethical preferences. Judgment of how to weigh each part, what to emphasize, what to leave out. The valance or attractiveness of one option for action compared to others. What the larger culture would recommend through the medium of tradition, habit, training, or instruction. Ongoing categorizations and interpretations modeling a scenario of the current situation as it is likely to develop in the future. These and other aspects coming together in consciousness, evaluated in relation one to another, fed forward to decision-making, advance planning, and execution, culminating in more-or-less decisive action in the world. And motivated attention to what the world does in response as told by the myriad maps keeping track of what’s happening from one’s situated point of view at the moment. All parts playing into the great loop of engagement coursing through our minds, constituting consciousness itself—the withness of such separate parts in coherent relationship with these and other parts in addition to those I have mentioned.

Without the ongoing governance provided by the contemporary loop of engagement between self and non-self, we are left in a state of autonomous dreaming disconnected from any adjustment imposed by culture, others, or the great world beyond. When flying blind in the sensory vacuum of dream-land, consciousness is entirely on its own, doing the best it can to find coherence based wholly on internal evidence of ongoing concerns. In dreams, we can see the separate items being shuffled again and again in a vain attempt to find the most apt relationship between them. What comes through is not the order of the world but the persistent order of the self as imposed on that world. In some circles, this counts as a spiritual more than a rational or cognitive take on events. The subject of dreams is always the same—yours truly, the dreamer, chief of operations in all matters concerning consciousness when the mysterious world has no say in the matter. That is, when all intelligence is internal, without curiosity about or regard for what might be happening in the great world of Beyond.

This, then, is a miniature portrait of consciousness as I understand it right now and write these words to post to my blog. If you ask me tomorrow, I’ll tell you something different because my mind will have moved on from where it is now. But this gives you an overview of the kinds of thoughts I have in gathering intelligence about my personal stream of con-sciousness. Here is an assessment in keeping with the aesthetic highlights of today’s line of thinking. My subsequent experience will unfold differently than ever before, and my dreams tonight will be unlike any I have had previously. Who can tell what tsunami will surge, what volcano erupt, what star explode, what earthquake turn the terra firma of my little world to heaving jelly? Stay tuned to this station for further bulletins as my mind delivers them to me.

In the meantime, to end as I began—with a question—how is it with you on your trek through the universe? Do the seconds, months, and decades of your mental journey add to a larger whole? Whatever your experience, I’d be happy to receive a brief summary of what intelligence you’ve picked up along your route. I invite you to leave a comment in the space provided below.




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