As a team sport, baseball is all about relationships between members of two different teams playing against each other. There is a tension between the opposing teams, tension within each of them as plays unfold over time. And tensions in us as we follow along, gripped by the drama unfolding in our minds, and of which we are a big part. Without dedicated fans, baseball wouldn’t exist. It is made to carry us along with it. No wonder we watch.

Such tensions stem from uncertainty concerning what is about to happen. Our minds thrive on uncertainty because they are made to be certain in support of decisive action, so they have to stick with the challenge. From first to last inning, baseball is charged with uncertainty. As well as yearnings for a successful outcome.

What pitch will the pitcher deliver? Will the batter take the bait, and if so, will he swing for a strike, hit a fly ball, or send a bounder just past the second baseman’s glove? Will the catcher throw off his mask, crane his neck, then grab that high foul ball? Will the pitcher lob the bunted ball to first? Will the fielder reach the grounder in time to get the runner out at second? Will the shortstop cover second when the baseman shifts toward first?

The pitcher-batter confrontation can lead to so many possible situations, we are on the edge of our seats and edge of our minds much of the time, eager to find out how each play will unfold as players throw the ball from one to another: pitcher to catcher, outfield to infield, second base to first, third to home.

Each play depends on so much coordinated skill, strength, speed, and accuracy, there is hardly a moment when we dare take our eyes off the ball for fear of missing the crucial play that makes all the difference. Paying close attention to each play takes exertion on our part. We exhaust ourselves just by following along. But the adventure is worth it. There’s no other way to have such an experience than to commit to it in both body and mind.

We not only follow the game from our viewpoint, but we anticipate what will happen. And enjoy the thrill of finding out if we’re right or wrong. We live on the edge of our own excitement, thrusting this way and that, like riding a defiant bronco. Investing our minds in the game, we find ourselves being carried away. Commitment is what it takes, commitment to engage as best we can for as long as we can. Paying attention takes perseverance, dedication, stamina, and strength. Those are all forms of engagement that carry us along.

We find new dimensions of ourselves by losing our old self and giving in to the power and drama of the moment. We come out of it bigger than we were, stronger, more enduring because of the engagement.

Engagement builds strong bodies eight ways, all variations on exercising the mental skills and dimensions we bring to the game. I’ve already mentioned several of them: expectancy, imagery, feeling, values, situations, understanding, meaning, judgment—that’s eight, and I’ve just begun. The whole list adds up to a multi-dimensional engagement that takes concentration, but ends up in a generous serving of personal fulfillment by a game well-played.

Just as there is a quota of good in everyone, there is a quota of excitement in every engagement. And a quota of enlightenment if we truly put ourselves into it. When we get bored, that’s because we are not committing much energy to what we are doing. We’re not putting ourselves into it, whatever it is. So we draw back for lack of concentrating on something—anything—and that invites lethargy to descend upon us. Boredom is a declaration of our lack of curiosity, interest, concentration—in a word, engagement. Which takes a commitment of our attention before anything can happen at all.

Being bored is a comment on our own lack of reaching out to the world to invite the world to reach in to us. The world owes us nothing. It is not out there for our benefit. As individuals, all of us are in charge of that department for ourselves. Baseball offers us a release from the cell we lock ourselves into when we wistfully moan for something to do.

Watch two baseball teams in action, engage yourself, and rejoice.

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Reflection 51: Memories

January 19, 2009

(Copyright © 2009)

 

Ten years ago I bought a hair drier to get the moisture out of a headlight that had been nicked by flying gravel so I could seal it and get my car through its annual inspection. I have hardly used it since, never think of it, yet know exactly what shelf it’s on buried between the sheets and towels in my bathroom closet. What a strange mixture of consciousness and unconsciousness. I know the pedigree of that drier, why I bought it, what I did with it, where it is now—even though it doesn’t play even a bit part in my daily activities.

 

Too, I have a pencil sharpener screwed to the end of a bookshelf in my living room. An old one. Full of shavings from every pencil I’ve used for fifteen years. It’s in full view and I must walk by it twenty or thirty times a day—without seeing it. Until I want to sharpen a pencil. Then I know right where it is. Here, too, is a strange mixture of consciousness and unconsciousness. In plain sight, yet unseen until need arises, when it materializes right where it was last time.

 

I seem to possess a utilitarian memory that files the function, location, and pertinent history of these items in such a way to be readily retrievable on cue. No emotion is involved; this type of memory is purely functional. It covers the books on my shelves, tools, kitchenware, linens, and other items of practical, if infrequent, use. I include the Leatherman Tool in its sheath on my belt in this category. I seldom see it, yet reach for it when it would be useful, and there it is, right where I expect it to be. What time is it? I look not to my wrist but to the watch hanging from its caribiner on my belt. I know where I bought it, why I bought it (I don’t like the feel of straps around my wrist), where I’ve gotten its batteries replaced, that sometimes the stem unseats itself, and so on. All that is retained in my utilitarian memory, as if I were conscious of it all the time, which I’m not. Until needed, I never think of my watch.

 

Paperwork is different. I generate lots of it every day, and unless I deliberately file it away where I can retrieve it, I have great difficulty knowing which pile or piles I should look in. I seem to have no memory for paperwork—where it is, why I wrote it, even what it’s about. The process of writing down what’s on my mind is everything; once done, it simply disappears from my consciousness as if it went up in smoke. That’s true even of my posts to this blog. If I didn’t make a list of them, I would have no memory of what I said. I may have a vague recollection of dealing with that topic sometime, somewhere, but that’s about it. My utilitarian memory doesn’t do paperwork.

 

Yet it is somewhere within me. I keep having the same thoughts I had twenty or forty years ago—as if they were wholly new discoveries. Or I come across something I wrote long ago and find it accurately expresses something I thought I hit upon yesterday. It’s lodged in my unconscious mind in amorphous form, but not neatly placed or categorized.

 

I have a fair memory for faces, but not necessarily the names that go with them. When I search for a name, I can often come up with it, but it may take me an hour or even a day. When the face is a bit fuzzy, I often have a sense of the person—where I met him or her, maybe their profession, family, where and why we were together, and so on. You know, Whatshisname, the mustache. Such vague memories are not in the same class as the fixture memories of my hair drier and pencil sharpener. They are easy come, easy go memories, more like paperwork.

 

My autobiographical memory is usually punctuated by strong feelings. Like the time I raised my hammer over the last roofing nail when I built my camp—and whammed it down directly on my thumb holding the nail. Pain, sadness, happiness, any feeling will cement a particular episode in memory as long as it crosses a minimal threshold. Many memories are categorized by the feelings that accompanied them. Excitement—being outdoors during an earthquake in Seattle, seeing a manta ray leap out of the gulf, finding fifteen dollars blowing across the lawn, picking up an ancient stone knife at the base of a cliff. Shocking loss—crying in the assembly before school was let out when FDR died, working in the darkroom while listening to the news that JFK had been shot, being furious when Jack Ruby shot Oswald, the phone call from my mother when my father died unexpectedly, that other phone call 27 years ago from the police on the morning they found my son’s body in the park.

 

These emotion-based memories are not buried very deep. They fairly leap to mind at slightest provocation, making the then accessible to the now as if no time had passed. Such memories have greater clout than mere pencil sharpeners or paperwork. They are very much part and parcel of who I am, key constituents of my ongoing consciousness.

 

I don’t know much about conceptual memory, except that words and ideas seem to emerge from nothingness when called upon. I think of concepts as being distilled from similar experiences, and of words serving as labels that index them, making general summaries of experience available when a particular situation calls them to mind. Where do words come from? I don’t know. We have all had the tip-of-the-tongue experience of knowing a word is there, but not being able to retrieve it. We may have the meaning, number of syllables, first letter, or rhyme (it sounds like . . .), but the word itself remains elusive.

 

When I write, words flow from inner space, and quickly disappear, making room for others that follow. It is the process that is important, not the words themselves. I mean the meaning-making process by which a yearning to say something is coupled to particular episodes of experience within compass of a conceptual field given voice in the vocabulary and phraseology of one language or another. I am aware in myself that the entire process is underwritten by kernels of meaning—what I mean to say—that are more fundamental than the words I actually use. I often sense the presence of such a kernel just before I express it in words, realizing that words are redundant because the one kernel anticipated them all. I don’t know how it works, but the language kernels serve as seeds from which words themselves bloom.

 

Lastly, I rely on a kind of situational sense or memory to hold these different pieces (and many others) together in coherent form to produce the running script of my consciousness, the narrative of my life. Situations have specific locations, casts of characters, furniture and props, relationships, and ongoing actions. They are not scripted beforehand; but develop according to the active relationships which bind them together in one place at one time. Consciousness is always situated, so that it follows only the most relevant details as they unfold in the mind. Those details take on meaning and relevance because of their placement within a particular situation. This happens, then this, then this. All making sense because of the flow of events in a particular place among a specific cast of characters.

 

Consciousness is a kind of theater, for an audience of one, who acts all the parts, and imbues unfolding events with personal significance. Inner life is nothing if not dramatic in nature. Playwrights simply transcribe it into the idiom of some outer world. Which is why we can find ourselves in Shakespeare. He deliberately wrote us into his plays. As all great artists are sure to include each of us in her works.

 

Neuroscientists worry about the so-called binding problem: about how the myriad shards of experience fit seamlessly together in the one vessel from which the stream of consciousness flows. My thought is that the unity of experience is made possible by the situational nature of consciousness. If it is a stream, it is a stream through a particular landscape at a certain time under specifiable conditions. Where one part of the brain (the amygdala) appears to activates emotional aspects of memory, another part (the hippocampus) provides a map of the relevant landscape, while consciousness itself keeps track of meaningful events as they transpire within that setting.

 

That is conjecture on my part. What we know is that different parts of the brain are involved in storing and activating different aspects of memory. And that whereas the amygdala is activated in emotional experience, the hippocampus is activated in relational experience. My hunch is that men and women rely on the situational-relational aspect of experience in different ways, so the same area of the brain (the hippocampus) creates a detailed map of human connections and relationships in the female mind, while in males that area may generate a more utilitarian map of objects (hair driers and pencil sharpeners) distributed in space. I base this notion on my long years of interacting with men and with women under a great variety of circumstances. As my partner sums it up: women relate, men report.

 

Here I am, duly reporting on consciousness as I experience it on the inside of my skull. As I do so, I realize that there is not a single degree of separation between me and my chosen object of study. I am my consciousness; my consciousness is who I am. Put differently, consciousness is all. I, as a separate entity, do not exist.

 

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