Copyright 2012 by Steve Perrin.

Speech is an efficient form of action taken in response to a felt situation. The situation—in part or whole—is the message intended by a particular utterance. When an engagement is unintentionally terminated or interrupted, for instance, the resulting frustration may well erupt in a spurt of breath bearing an emphatically voiced consonant sound, such as an oath. Or when the prospect of a pleasing engagement appears, it may elicit an open vowel sound such as “ooh” or “aah.” Displeasure, shock, or fright may be expressed by air emitted through tensed jaw and vocal cords.

Situations are the intimate worlds in which we live and of which we speak (or draw, sing, dance, or make films). They are the center of our mental activity because they form the pivot between sensory impressions on one side and intentional actions on the other. Even if we do not act or perceive, we are situated in our sense of self, which I associate with dreams and memory, and imaginatively locate in my brain’s limbic system (including the amygdala, hippocampus, hypothalamus, and cingulate cortex) where incoming and outgoing nerve signals meet in states of arousal.

When aroused, we tend to make sounds—clapping, groaning, sighing, singing, swearing, greeting—spontaneously broadcasting our felt situations to those within earshot. I have listened to the gurgling barks of harbor seal pups, shrieks of bald eagles back and forth, howls of coyotes, wavering calls of loons, warning cries and treetop arias of countless birds, and imitative burbles of babies in the crib. In each case, the sound is situated in the experience of an aroused living being.

The exchange of excited honks between two groups of Canada geese—those on their feeding waters and those flying in—are a case in point. No sound moves me more than the glad greetings shouted between those two groups. The most wondrous exchange I ever heard was a duet between a loon on the bay at midnight and an answering coyote on land, both equally passionate and melodious to my ears while lying in bed, transfixed for the three or four minutes it lasted, which I took to be no coincidence but a mutual exchange of auditory appreciation between species.

We are in this life together, and make sounds in observance of that fact when our situations overlap.

During my two-and-a-half-year stay on Burying Island (1986-1988), I often muttered words out loud, or caught myself on the verge of “talking to myself,” but I wasn’t really talking, more accurately acknowledging a state of arousal while gripped by one situation or another. Which, I think, is why painters paint, singers sing, dancers dance—to celebrate the situations they get themselves into, and recreate in performance again and again.

When people get together, what do we talk about but the situations uppermost in our minds? Baby passed another milestone, dear one got a job, doggie dug up neighbor’s garden, puss left half a sparrow on the pillow again, the car needs a new muffler, the house a new roof. Sentence-by-sentence, we describe in increasing detail the situations we are coming from because that’s where we live out our days. Which is equally true of conversations at the kitchen table, PTA meetings, or the general assembly of the local branch of the occupy movement.

Speech is an economical form of action by which we can try out our ideas before we irreversibly commit a particular deed. Once the deed is done, it has our name on it and we either have to own it and do our best to live with it, or try to find a way to undo what we have done. With speech, we can apologize for any hurt feelings we may have caused, but with deeds, like George Zimmerman, we cannot make amends by bringing Trayvon Martin back to life.

We, along with our generation, are born to a particular era of coexistence with one another. Each of us lives an individual life, yet we live that life in concert with those around us, and our respective situations may share similar features so that we feel connected in various ways by events taking place in our awareness as we each may personally construe it. In that sense, we may come to feel somewhat like brothers and sisters facing similar challenges, which helps us use speech to become real to one another in grappling with the cast of notable characters and salient events of our time. We may even converse among ourselves with a sense of common understanding, and come to agreement about what needs to be done to improve the situation we live in.

Acting separately, we may be weak, but together we are a powerful force that needs to be reckoned with. Whether that reckoning comes to pass or not remains to be seen. But one thing is sure: it won’t happen without our making a personal commitment to action.

In other words, I am with you as you are with me in this, our time to speak and to act. As ever, I remain y’r brother, —Steve